Tuesday, December 9, 2025

Planning

 Growing up in a Catholic family, faith has always been a big part of my life. My mother, a very devout catholic, would always discuss how faith is the most important thing to have. She would say that faith connects people together and brings them closer. 

When I heard that we were making a documentary my mind immediately went to a concept I came up with last year. After a heartbreaking rejection from a film competition, I went to get ice cream with one of my best friends Zach. While we were eating we started a deep conversation about religion and even though we practice two different faiths we found that we related to each other. This led to us brainstorming an idea for a documentary on how faith as an idea and how it spreads beyond religion. 


After picking my documentary group I immediately pitched the idea and luckily my teammates (Nicolas, Zach, and Samuel) were on board. We started by thinking of what religions to focus on and initially picked catholicism, as Nicolas, Samuel, and I are catholic, judaism, as Zach is jewish, and hinduism. However, after thinking about the time we had (2 weeks) and how deeply we wanted to go into each religion we decided to stick to 2 religions. We ended up choosing to focus on catholicism and judaism as we were the most educated of those 2 and had connections in our church's/temples to get interviews. 


After finalizing our topic we called that night to work on an outline and structure. Over a two hour facetime call we completed an outline and wrote questions for potential interviews. We decided that we wanted to interview a priest, a rabbi, members of each congregation, and a theologist. 


Here is our complete outline document.


The next day after the call we planned out we sent out messages to St Gregory Catholic Church and Temple Beth Emet, requesting time for an interview. We got a response from Temple Beth Emet quickly, giving us a date we could come in to conduct interviews. St Gregory took a few days and after a call we got a date to interview a priest. 

After researching theology professors in our area and emailing a few, we decided to go with Amanda Furiasse, a professor at Nova Southeastern University, as her schedule matched up with ours the best.


Our actual research delved into philosophy, as we wanted our film to have a philosophical aspect. Additionally, after researching various biblical stories we decided to put a focus on the story of Abraham, as it is a discussion of faith found in both Judaism and Catholicism. 


Overall, the planning went pretty smoothly, stay tuned for details on the production process!


Monday, December 8, 2025

Yay A Level! Yay Documentaries!

 Hi Blog! Long time no see!!

Senior year has been quite the experience... however A-Level has certainly been a highlight. When I heard that we were entering the documentary unit I was immediately filled with excitement. As a future reporter, documentaries mean a way to tell people's stories, which is my favorite thing to do. 

But before we go deeper into my documentary production, lets take a look back at the research part of the unit, and the activities we did to prepare us to produce our own docs. 

We began by watching 2 episodes from the Netflix docuseries "ABSTRACT"

he purpose of the series Abstract is to highlight designers in all different types of mediums, delving deep into their influences, processes, and challenges. Interviews are the main technique that run throughout the episode, the interviews are mixed in with B-roll, so many times viewers are just hearing voiceovers and not seeing the subject. The B-roll is often staged and shot very cinematically, adding a stylized effect to every episode. Regarding auditory techniques, throughout the show music is often used to develop and emphasize tone. The series focuses on telling the story of one designer per episode. There are two seasons of it, and there is no consistent arc between episodes, each episode is a standalone. The series does not need to be viewed in order as each episode is a profile on a different designer and does not relate to any other episodes. The effects of the organization pattern on the audience are that audiences may choose specific episodes they are specifically interested in, making them feel in control of the content they ingest.



The next documentary we watched was called "American Promise"



American Promise followed 2 African American boys throughout their years as students at the Dalton School, a prestigious New York City private school. When doing an analysis assignment for this documentary I learned a new term, verité, a style of filmmaking aiming to capture real and authentic moments.

Watching this documentary showed me what true verité filmmaking looks like. One example of this is the raw moment where Idris talks about his race and how it affects his relationships with girls at his school. The interview is filmed in Idris' bed, he is laying down casually and rambling. The shot is very tight on his face and highlights his expressions as he talks. At moments he looks away and thinks about what to say, he stutters through his words    and the shot zooms in closer into his face. The shot also shifts a few times as it is handheld and the cameraman is moving the camera, showing the “truthful” feel of the interview. Another scene which shows this is Seun’s father speaking at their son's funeral. The scene shows him speaking, clearly emotional, talking to each one of his children about what they mean to him. The camera pans to each child while he talks to showcase their reaction in the moment.

Next up we watched the documentary Exit Through the Gift Shop.



This piece had an interesting shift of perspectives. Watching it really showed me the power of how using various visual and auditory techniques can change the view on something. Here is an excerpt from my analysis:

The shift in portrayal of Guetta is shown through multiple techniques. The film starts with cherry picked interviews, b-roll, and music, showing Guetta as an excited and motivated man, with a passion for filming and a love for the world of street art. Interviews talk about him positively, most noting his videoing and the way he was willing to do anything for the artists. As he gets deeper into the world of street art and starts a relationship with Banksy, Banksy even refers to him as a friend. However, as Guetta starts changing the film does too, interviews start shifting into mostly just Banksy and Guetta. B-roll focuses more on just Guetta and shows a clear change, he turns into someone obsessed with success. 



Finally we got the choice to watch any 2 OpDocs from the New York Times, and then we had to analyze them.

I began by watching "Roaches Lullaby"



Watch here

My analysis:

This documentary follows 3 New Yorkers who have roach infestations in their homes, and how they use different techniques to deal with it.

The B-roll gave a firsthand look at the subjects’ roach situations. In the B-roll they go around their homes to common areas where they find roaches and show how they kill them (or fail) to the camera. The shots are handheld and pretty close up for the majority, immersing audiences into the moment, while also helping them understand the gravity of the situation. 

The doc features indirect interviews, and sounds more like people ranting about their problems than an actual interview, this technique is used to convince audiences that the subject is just speaking freely. The interview shots, like the B-roll are handheld. Cohesively, the entire documentary follows the same style of tight, handheld shots. I felt slightly disgusted when watching this documentary, as I would react when seeing a cockroach in real life. This is because the close up b-roll made me feel like I was the one dealing with the issue, it really immersed me into the story. However, there were definetely were humorous moments. The three subjects all had funny personalities which came across through the interviews.

I enjoyed the moment where the woman subject compared her situation to being in a war. I also really liked the song, even though it was unexpected, I feel like it was a good end to this piece. 

Then I watched "Christmas Every Day"



Watch here

My analysis: 

This documentary shows the lives of 2 pre-teen sisters from Alabama who are “influencers,” specializing in makeup and clothing videos.

The documentary uses a lot of B-roll to tell the story. Multiple times throughout the doc there are montages of videos teen influencers have posted, showing examples of the girls’ videos, as well as examples from other preteen content creators. Other B-roll shots are very wide, still shots that last on the screen for a while. One example is an extreme wide shot of the two girls jumping on a trampoline, which lasted for multiple seconds. I think the length of the shots is used to make audiences think and digest what they’re seeing.

As for interviews, the documentary used indirect interviews, of both the girls and their parents, the interviews are done very casually as they’re getting ready for the day or laying in bed. This technique is used to make the conversation seem less like an interview to audiences, and more like the subject is just speaking freely. The clothing and makeup in the documentary also works to show the bigger picture. When the girls are filming videos they usually have on full faces of makeup and a pre-picked outfit. These outfits are usually elaborate and not normal for everyday wear. When the girls are not filming and are just being themselves we see them in more normal clothes. On the trampoline shot we see the girls in normal fall clothes, with natural or no makeup on, this makes them look younger and more like children. 

I really enjoyed this documentary, I think the cinematography was beautiful, and the subject matter was unique and interesting. I was intrigued from the very first shot, a pre-teen girl making an unboxing video, seemingly ecstatic to be opening the package, then switching emotions as soon as the video ended. This made me think about “influencer” culture, and how so much of what we see online is fake. Additionally, the documentary made me sad, even though the girls don’t completely understand it at their age, they aren’t having a normal childhood, and the pressure of constantly being watched could have lasting effects on them. 


Saturday, March 22, 2025

Final Reflection

 Wow, eight weeks really flew by! When starting this project, I was very unsure of myself as a filmmaker. I doubted myself and my skills because I had never truly ventured into making a film. However, thanks to my incredible teacher and teammates (who have become my close friends), my confidence in myself has grown tremendously. I now know how to approach developing a film, as well as production and post-production. I've learned the importance of planning, organization, trust, and how it's okay to ask for help.

Without being organized and planning ahead, this film opening wouldn't have been possible. The schedule we made during week 1 helped keep us on track to success. Preproduction and planning ahead made filming days go smoothly, as we would have a list of items to bring, shots to get, and locations to film. Another important thing I learned was the importance of trust. With a big project like this, responsibilities had to be divided between the team, and we had to learn to work with each other and trust each other to effectively complete our tasks. Additionally, an important lesson I learned was to not be afraid to ask for help. As someone who doesn't have much experience in film, and who was working with teammates who did, I was sometimes unsure of myself and my abilities. Asking for support helped me throughout the project and aided me in expanding my skills. I learned some useful color grading tips from one of my teammates, and some editing shortcuts from another. 

Regarding technical skills, making a film opening has taught me the deeper meanings behind film. Before this class and portfolio project, I had never considered the "why?" Why this lighting? Why this font? Why this angle? I asked myself all those questions and many more when producing my film opening. This project has helped me slow down and put thought into every aspect of film. I considered the deeper meanings and what I wanted to portray with every shot. For example, if I wanted to show the audience the protagonist's feelings in a scene, I chose to do a close-up to emphasize her facial expressions and reactions. 

Overall, this class and project have taught me so much. I am so incredibly proud of myself and my team, and I can't wait for AICE Media A level!!!

Me and one of my teammates being silly during filming


 I'll see you one more time for the final film opening and CCR, Bye!


Friday, March 21, 2025

CCR Editing

 CCR 1

Editing my first CCR was an easy process. I started by importing my videos into Premiere, then applied Ultra Key to remove the green screen in the background. These were my settings:



Then I searched for "Oscar's stage background" in Google to find a good background for my video.
The results

  What I settled on

After I picked a background, I imported it into Premiere and placed it on my timeline underneath the video of my CCR. 


It was a relatively simple edit, so to spice it up a bit and make it more reminiscent of a real award show, I decided to incorporate cheering sound effects.

I used these two videos


I applied the sound effects at the beginning and end of the video, using the exponential fade effect to blend them into the original audio. 


CCR 2

CCR 2 wasn't as simple as a process. As I mentioned before I didn't have mics and after asking about 10 people with no success I realized what I would have to do. Voiceover. I know I know, it's not ideal, nor professional, but I had no other option. Thankfully only the intro and outro needed VO to match up with the talking in the video. I used voice memos and recited the lines while watching the video clips to attempt to match the audio as closely as possible. It took a VERY long time, but I finally got as close as I could possibly get. 



Thankfully, after figuring out the audio the rest of the editing process went smoother. I used Canva to make my graphics and bulletproof bear to find background music. 


Making my graphics on Canva


My search on Bulletproof Bear


After working separately on all the pieces of the CCR, I imported everything into Premiere. Here is what my timeline looked like:


Lastly, since I filmed during sunset the light varied from shot to shot, meaning I had to color grade them to keep a consistent look. 

The before and after of a shot

Overall, the editing went okay, CCR 1 definitely was a little easier. Stay tuned for the final products! See you next time. 

Thursday, March 20, 2025

CCR Production

 CCR 1: Oscar acceptance speech

My first CCR was filmed at one of my group member's houses. Samuel was gracious enough to help me record my CCR in exchange for me helping him. Another one of our group members lent us the green screen I used. Regarding equipment, I used a Canon 90D to film, a tripod, a GVM LED three-point light kit, Holly Land wireless microphones, and a green screen. The filming setup was simple, I was standing in front of the green screen with three-point lighting set up around me and the camera directly in front of me. Since I was giving a speech, and I didn't want any cuts I had Samuel hold my laptop with the speech on it by the camera, and I used it as a teleprompter. I used the website Free teleprompter because it has adjustable settings like text size and speed which make it convenient. 


However, I ran into an issue which led to a change of plans. After filming a few takes and constantly messing up (reading and preforming a 3-minute speech is hard) I knew that I was wasting time, as I still had to film my friend's CCR. So, I decided to use a take where I messed up about halfway but stopped and picked up from before I messed up. I'm going to have one cut in the duration of the speech but in post I hope to make it as unnoticeable as possible.

CCR 2: Yoga class

For my second CCR the production was simpler. I used a tripod, Canon T8, and filmed in my backyard alone. One issue I faced was audio. I didn't have mics so I had to rely on a rode mic to pick up my audio, which would've normally been fine if I was in a quiet area. Except I forgot just how noisy my backyard is (I live next to a major highway). Thankfully only my intro and outro require audio so it won't be too bad. Besides that one issue filming went smoothly.

Sunday, March 16, 2025

CCR 4

 What a week... and not in a good way. I have so much to say, but alas, Cambridge grader, I know you don't know me and don't care about my silly high school problems, so I won't bother you with them.

 ...Anyway, we're basically in the final stretch of our portfolio projects (scary!) I finally figured out what I'm doing for my second CCR, I'm doing a movie press interview. As an (honorary) film kid, I've watched so many of these; it's always so interesting to hear the behind-the-scenes of new and popular movies.

To answer the question, "How did you integrate technologies- software, hardware, and online- in this project?

We worked with two different cameras, and three different editing softwares. For filming we mainly used a Canon Mark IV, but for a couple shots we used a DJI Osmo Pocket 3. The Canon camera was checked out from our highschools television program and the DJI Osmo is owned by one of my group members. We also used a tripod, as steady shots look more clean and professional. Additionally, since we are doing VFX steady shots are crucial to make the process easier.

Regarding post-production, our group utilized Adobe Premiere Pro, After effects, and Blender to edit and add VFX. 

Without the combination of the hardware and software it wouldn't have been possible to recreate our idea. (Special thanks to CBTV for lending us equipment and our school for paying for Adobe Creative Cloud)


Final Portfolio Project

 After months of work here is our final portfolio project! I am so proud of how everything turned out, and how far my group has come not onl...